Arthur transmedia
New book by Brigitte FRIANT-KESSLER and Emanuele ARIOLI published by Hermann
The legend of King Arthur and the Knights of the Round Table has undergone a revival thanks to mass culture, becoming resolutely " transmedia ". Today, it circulates as much in cinema and TV series as in comics, music and even the world of games. This book looks at productions linked to the legend of King Arthur, examining the mechanisms of transposition to other media, and the ways in which these old stories interact with the contemporary world. It follows the transmedia destiny of certain Arthurian heroes - such as Arthur, Merlin, Guinevere, the fairy Morgana and the Lady of the Lake - as well as emblematic elements and themes of the myth, such as the Grail and the sword Excalibur, or the wars waged by the conquering king, the Breton marvel, and the female figures of fairies and queens. A malleable legend par excellence, it has been reinvested - in every era, every context and every medium - with constantly renewed meanings.
This collective, interdisciplinary work is mainly, but not exclusively, the result of papers presented at the international colloquium "Arthur transmédial: la légende du roi Arthur entre cinéma, séries, arts graphiques, musique et jeux" organized by Brigitte Friant-Kessler and Emanuele Arioli, teacher-researchers at the Université Polytechnique Hauts-de-France (Valenciennes), with the support of LARSH, UPHF and MESHS. This colloquium was held remotely on November 12 and 13, 2020
.
Contents
Page 5 - Preface
Page 7 to 16 - Introduction
Part 1. Cinema, series and transmedia universes
Page 19 to 32, Justine BRETON
I. Three media for one king : declensions of a transmedia arthur in Kaamelott
Page 33 to 46, Anne Lise MARIN-LAMELLET
II. King Arthur, a Working Class Hero ?
Page 47 to 62, Emmy RIBET
III. Transmedial echoes in Arthurian fanfiction : the case of the Mordred/Galahad slash
Part Two. Graphic arts and comics
Page 65 to 86, Brigitte FRIANT-KESSLER
IV. Arthur Redux : the test of cartoon and caricature
Page 87 to 99, Isabelle OLIVER
V. Arthur, a Celtic epic : between literarity and transmission
Page 101 to 113, Pierre Alexis DELHAYE
VI. Camelot 3000 : traversing time or a superhero at King Arthur's court
Page 115 to 128, Christine FERLAMPIN-ACHER
VII. Excalibur in Soul Eater (Atsushi Okubo) : Arthurian myth put to the test in manga
Page 129 to 141, Maxime DANESIN
VIII. The duties of a King : King Arthur facing his doubts and peers in the manga universe of Fate/
Part Three. Music, from opera to musical
Page 145 to 153, Pierre DEGOTT
IX. Performing on stage King Arthur by Purcell and Dryden :" Mission : Impossible " ?
Page 155 to 165, Vincent VIVES
Page 167 to 181, Nadège LE LAN
Page 183 to 193, Jean François POISSON-GUEFFIER
XII. Kopernikus by Claude Vivier. Beyond the crisis of representation of the Arthurian myth
Page 195 to 207, Anne BERTHELOT
Part four. Games and videogame universes
Page 211 to 223, William BLANC
XIV. Transmedia utopias ? Arthurian games in Avalon and Ready Player One
Page 225 to 237, Hélène CORDIER
XV. Playing with the Round Table : the legend of which you are the hero !
Page 239 to 249, Emanuele ARIOLI
XVI. Japanese videogame transpositions of the King Arthur legend in the 2000s and 2010s
Page 251 to 267, Sandra GORGIEVSKI
XVII. Dark Age of Camelot : a playful nostalgia
Page 269 to 287
- General bibliography
Page 289 to 292
Page 293 to 296